LORD OF THE FLIES is a Lord of Death
Before you ask, yes; William Golding’s Lord of the Flies is horror. And true horror, at that. There are moments of sheer terror, but this terror does not come from the supernatural. There are no murderous clowns, poltergeists or vampires. The fear in his book comes from the darkness in our hearts. As Stephen King wrote, while reading the book he ‘was in terror’. The resonances of Lord of the Flies can be found in many of King’s own books, including It, which does feature a terrifying clown, and in his short story ‘Children of the Corn’, about a group of murderous children. Indeed, evil children, either acting alone or in savage groups are a common trope in horror culture, and it is often clear to see the influence that Golding’s first novel has had on these examples.
In my own writing it is an influence I have not been able to escape. I do not write horror based on popular trends, or creatures retooled to fit modern sensibilities. For me, a monster is not a man (or woman) transforming into a preternatural animal -- as terrifying as that once was. That’s just poetic allegory. When done correctly it leaves you with questions of human exploration. For me, a monster is a man portraying acts of violence on children. Monsters then follow, as his community let him get away with it.
Published in 1954, Lord of the Flies was Golding's first novel. Although it did not have great success after being released—selling fewer than three thousand copies in the United States during 1955 before going out of print—it soon went on to become a best-seller. It has been adapted to film twice in English, in 1963 by Peter Brook and 1990 by Harry Hook, and once in Filipino by Lupita A. Concio (1975).
The book takes place in the midst of an unspecified war. Some of the marooned characters are ordinary students, while others arrive as a musical choir under an established leader. With the exception of Sam and Eric and the choirboys, they appear never to have encountered each other before. The book portrays their descent into savagery; left to themselves on a paradisiacal island, far from modern civilization, the well-educated boys regress to a primitive state.
Golding wrote his book as a counterpoint to R.M. Ballantyne's youth novel The Coral Island (1858), and included specific references to it, such as the rescuing naval officer's description of the boys' initial attempts at civilised cooperation as "a jolly good show, like the Coral Island". Golding's three central characters—Ralph, Piggy and Jack—have been interpreted as caricatures of Ballantyne's Coral Island protagonists.
William Golding was born in his maternal grandmother's house in Newquay, Cornwall. He grew up in Marlborough, Wiltshire, where his father, Alec, was a science master at Marlborough Grammar School, where the young Golding and his elder brother Joseph attended. His mother, Mildred, kept house and was a campaigner for female suffrage. She used to tell him old Cornish fairy tales from her own childhood.
In 1930 Golding went to Brasenose College, Oxford, where he read Natural Sciences for two years before transferring to English Literature. His original tutor was the chemist Thomas Taylor.
Golding took his B.A. degree with Second Class Honours in the summer of 1934, and later that year a book of his Poems was published by Macmillan & Co, with the help of his Oxford friend, the anthroposophist Adam Bittleston.
He was a schoolmaster teaching English and music at Maidstone Grammar School 1938 - 1940 and then teaching Philosophy and English in 1939, then just English from 1945 to 1962 at Bishop Wordsworth's School, Salisbury, Wiltshire.
John Carey, the emeritus professor of English literature at Oxford university, was given access to a personal journal kept by Golding in order to write his biography, in which Golding describes trying to set up his students against each other during his teaching years, which gave him inspiration for his first novel.
Golding married Ann Brookfield, an analytical chemist on 30 September 1939. They had two children, David (born 1940) and Judith (born July, 1945).
During World War II, Golding joined the Royal Navy in 1940. He served in a destroyer which was briefly involved in the pursuit and sinking of the German battleship Bismarck. He also participated in the invasion of Normandy on D-Day, commanding a landing ship that fired salvoes of rockets onto the beaches, and was in action at Walcheren in which 23 out of 24 assault craft were sunk.
While his father had been an insistent atheist, Golding himself was a Christian, though a member of no established Church.
In 1985, Golding and his wife moved to Tullimaar House at Perranarworthal, near Truro, Cornwall. He died of heart failure eight years later on 19 June 1993. His body was buried in the parish churchyard of Bowerchalke, Wiltshire (near the Hampshire and Dorset county border).
On his death he left the draft of a novel, The Double Tongue, set in ancient Delphi, which was published posthumously in 1995.
In the midst of a wartime evacuation, a British aeroplane crashes on or near an isolated island in a remote region of the Pacific Ocean. The only survivors are boys in their middle childhood or preadolescence. Two boys—the fair-haired Ralph and an overweight, bespectacled boy nicknamed "Piggy"—find a conch, which Ralph uses as a horn to convene all the survivors to one area. Ralph is optimistic, believing that grownups will come to rescue them but Piggy realises the need to organise: ("put first things first and act proper"). Because Ralph appears responsible for bringing all the survivors together, he immediately commands some authority over the other boys and is quickly elected their "chief". He does not receive the votes of the members of a boys' choir, led by the red-headed Jack Merridew, although he allows the choir boys to form a separate clique of hunters. Ralph establishes three primary policies: to have fun, to survive, and to constantly maintain a smoke signal that could alert passing ships to their presence on the island and thus rescue them. The boys establish a form of democracy by declaring that whoever holds the conch shall also be able to speak at their formal gatherings and receive the attentive silence of the larger group.
Jack organises his choir into a hunting party responsible for discovering a food source. Ralph, Jack, and a quiet, dreamy boy named Simon soon form a loose triumvirate of leaders with Ralph as the ultimate authority. Upon inspection of the island, the three determine that it has fruit and wild pigs for food. The boys also use Piggy's glasses to create a fire. Although he is Ralph's only real confidant, Piggy is quickly made into an outcast by his fellow "biguns" (older boys) and becomes the butt of the other boys' jokes. Simon, in addition to supervising the project of constructing shelters, feels an instinctive need to protect the "littluns" (younger boys).
The semblance of order quickly deteriorates as the majority of the boys turn idle; they give little aid in building shelters, spend their time having fun and begin to develop paranoias about the island. The central paranoia refers to a supposed monster they call the "beast", which they all slowly begin to believe exists on the island. Ralph insists that no such beast exists, but Jack, who has started a power struggle with Ralph, gains a level of control over the group by boldly promising to kill the creature. At one point, Jack summons all of his hunters to hunt down a wild pig, drawing away those assigned to maintain the signal fire. A ship travels by the island, but without the boys' smoke signal to alert the ship's crew, the vessel continues without stopping. Ralph angrily confronts Jack about his failure to maintain the signal; in frustration Jack assaults Piggy, breaking one of the lenses of his glasses. The boys subsequently enjoy their first feast. Angered by the failure of the boys to attract potential rescuers, Ralph considers relinquishing his position as leader, but is persuaded not to do so by Piggy, who both understands Ralph's importance and fears what will become of him should Jack take total control.
One night, an aerial battle occurs near the island while the boys sleep, during which a fighter pilot ejects from his plane and dies in the descent. His body drifts down to the island in his parachute; both get tangled in a tree near the top of the mountain. Later on, while Jack continues to scheme against Ralph, the twins Sam and Eric, now assigned to the maintenance of the signal fire, see the corpse of the fighter pilot and his parachute in the dark. Mistaking the corpse for the beast, they run to the cluster of shelters that Ralph and Simon have erected, to warn the others. This unexpected meeting again raises tensions between Jack and Ralph. Shortly thereafter, Jack decides to lead a party to the other side of the island, where a mountain of stones, later called Castle Rock, forms a place where he claims the beast resides. Only Ralph and a quiet suspicious boy, Roger, Jack's closest supporter, agree to go; Ralph turns back shortly before the other two boys but eventually all three see the parachutist, whose head rises via the wind. They then flee, now believing the beast is real. When they arrive at the shelters, Jack calls an assembly and tries to turn the others against Ralph, asking them to remove Ralph from his position. Receiving no support, Jack storms off alone to form his own tribe. Roger immediately sneaks off to join Jack, and slowly an increasing number of older boys abandon Ralph to join Jack's tribe. Jack's tribe continues to lure recruits from the main group by promising feasts of cooked pig. The members begin to paint their faces and enact bizarre rites, including sacrifices to the beast. One night, Ralph and Piggy decide to go to one of Jack's feasts.
Simon, who faints frequently and is probably an epileptic, has a secret hideaway where he goes to be alone. One day while he is there, Jack and his followers erect an offering to the beast nearby: a pig's head, mounted on a sharpened stick and soon swarming with scavenging flies. Simon conducts an imaginary dialogue with the head, which he dubs the "Lord of the Flies". The head mocks Simon's notion that the beast is a real entity, "something you could hunt and kill", and reveals the truth: they, the boys, are the beast; it is inside them all. The Lord of the Flies also warns Simon that he is in danger, because he represents the soul of man, and predicts that the others will kill him. Simon climbs the mountain alone and discovers that the "beast" is the dead parachutist. He rushes down to tell the other boys, who are engaged in a ritual dance. The frenzied boys mistake Simon for the beast, attack him, and beat him to death. Both Ralph and Piggy participate in the melee, and they become deeply disturbed by their actions after returning from Castle Rock.
Jack and his rebel band decide that the real symbol of power on the island is not the conch, but Piggy's glasses—the only means the boys have of starting a fire. They raid Ralph's camp, confiscate the glasses, and return to their abode on Castle Rock. Ralph, now deserted by most of his supporters, journeys to Castle Rock to confront Jack and secure the glasses. Taking the conch and accompanied only by Piggy, Sam, and Eric, Ralph finds the tribe and demands that they return the valuable object. Confirming their total rejection of Ralph's authority, the tribe capture and bind the twins under Jack's command. Ralph and Jack engage in a fight which neither wins before Piggy tries once more to address the tribe. Any sense of order or safety is permanently eroded when Roger, now sadistic, deliberately drops a boulder from his vantage point above, killing Piggy and shattering the conch. Ralph manages to escape, but Sam and Eric are tortured by Roger until they agree to join Jack's tribe.
Ralph secretly confronts Sam and Eric, who warn him that Jack and Roger hate him and that Roger has sharpened a stick at both ends, intimating that the tribe intends to hunt him like a pig and behead him. The following morning, Jack orders his tribe to begin a hunt for Ralph. Jack's savages set fire to the forest while Ralph desperately weighs his options for survival. Following a long chase, most of the island is consumed in flames. With the hunters closely behind him, Ralph trips and falls. He looks up at a uniformed adult—a British naval officer whose party has landed from a passing cruiser to investigate the fire. Ralph bursts into tears over the death of Piggy and the "end of innocence". Jack and the other boys, filthy and unkempt, also revert to their true ages and erupt into sobs. The officer expresses his disappointment at seeing British boys exhibiting such feral, warlike behaviour before turning to stare awkwardly at his own warship.
At an allegorical level, the central theme is the conflicting human impulses toward civilisation and social organisation—living by rules, peacefully and in harmony—and toward the will to power. Themes include the tension between groupthink and individuality, between rational and emotional reactions, and between morality and immorality. How these play out, and how different people feel the influences of these form a major subtext of Lord of the Flies. The name "Lord of the Flies" is a literal translation of Beelzebub, from 2 Kings 1:2–3, 6, 16. Society is committing suicide, sacrificing itself to a god of death.